Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

William Thatcher, a knight's peasant apprentice, gets a chance at glory when the knight dies suddenly mid-tournament. Posing as a knight himself, William won't stop until he's crowned tournament champion—assuming matters of the heart don't get in the way.

Uptight city accountant Michael Thompson is hired to help a family save their stable before the bank shuts them down. Michael reluctantly agrees, but as he searches for ways to save a family's legacy, he finds something he never expected.

Cubelles, Tarragona, Spain, Christmas 1985. Five friends make an unexpected discovery in the forest: a woman disguised as Santa Claus trapped in a deep hole dug in the middle of nowhere.

Taylor, Candice, Aklia, and Tammy's journeys as queer women may look different, but as they cross paths in Harlem, they help each other untangle life's complexities and be their authentic selves.

12-year-old Ryan moves to the town where her father was born—a bleak, dying fishing town. However, exploring the coast, she discovers a cove that is home to a mysterious girl named Coral who reveals herself to be a mermaid.

12-year-old Ryan moves to the town where her father was born—a bleak, dying fishing town. However, exploring the coast, she discovers a cove that is home to a mysterious girl named Coral who reveals herself to be a mermaid.

In the days following the D-Day invasion in Normandy, France, a British platoon leader named Saul (Gabriel Byrne) and his corporal (Paul Wyett) reach an isolated farmhouse and encounter a beautiful French girl named Belle (Marianne Basler). Love blooms between Saul and Belle, but the grim realities of war catch up with them when a French Resistance trio claims that Belle is a Nazi collaborator. Judge Reinhold appears briefly as the token Yank.